Funky Nothingness

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The title of Funky Nothingness is more than a bit misleading. While the music may be funky, it's certainly not nothing! In fact, it's quite something, but most especially for those familiar with this period of Zappa's music who will savor hearing the alternate and extended versions of "Chunga's Revenge," "Sharleena," "Transylvania Boogie," and "The Clap." One recommends a listen to both Hot Rats and Chunga's Revenge before digging into the gems here. Then...bring on the Funk with this latest vault expedition.

Frank Zappa remains one of the most fascinating musicians and composers of his generation. Zappa was a rare individual who was equally skilled playing and writing in a number of different genres and styles, Funky Nothingness represents the brief era of a band which deserved to last longer than it did. Early on, Zappa realized the importance of recording whenever possible, as an impromptu studio jam or concert highlight might otherwise be lost for good. Especially after he dissolved his original Mothers of Invention band in 1969, Zappa sought out the best musicians possible. By the time of his death he had amassed a sizable library of unissued studio and concert performances. With the time Zappa spent composing, rehearsing bands and going on the road, it is little wonder that there was insufficient time for him to go through his entire archive to locate hidden treasures for release. Hosted by Travers, the first episode went behind the scenes and captures the vinyl cutting process with Chris Bellman at Bernie Grundman Mastering, and the second episode includes a new conversation between Travers and Ian Underwood who discusses how he met Zappa and became one of his go-to musicians. In a way this explores a technique Zappa dubbed “Xenocrony,” which according to the Wiki “is executed by extracting a guitar solo or other musical part from its original context and placing it into a completely different song, to create an unexpected but pleasing effect.” Funky Nothingness, as an album, is special in that it features at least three written compositions, three cover versions, and multiple instrumental jam-oriented segments, all previously unreleased,” vaultmeister Joe Travers said in a statement. “It’s very rare to find that amount of music from one set of sessions that has gone unheard for such a long period of time.” The more I consider the contents of Frank Zappa’s new 2LP set Funky Nothingness, the more I realize these once-buried archival recordings are not just the components of a lost album, but really are an insightful transitional link into Zappa’s compositional mindset. Made in the aftermath of FZ’s October 1969 landmark jazz fusion masterpiece Hot Rats, this new album also connects many musical dots from there to October 1970’s Chunga’s Revenge — and beyond.Zappa/Hot Rats ’70: Session Masters & Bonus Nothingness” spans the second and third discs. Among these outtakes, alternate edits, unreleased masters of songs from the period, and improvisational recordings is “Tommy/Vincent Duo III (Unedited Master),” which finds Zappa and Dunbar squaring off on nearly 22 minutes of guitar/drum improvisation. With this welcome offering of three and a half hours of unheard studio Zappa that follows one of his most celebrated albums, one can’t help but wonder what else might eventually escape from the Zappa vault. ( www.zappa.com) If you love Frank Zappa’s music and his work around the time of Hot Rats and Chunga’s Revenge, then Funky Nothingness is an absolutely essential spin for you. ’Nuff said. National Music Centre to Present Panel of Indigenous Voices on National Day for Truth and Reconciliation While this set is bookended by 1967’s “Funky Nothingness,” a short piece of blues that was originally planned as the opening to an early version of the Chunga’s Revenge album, and ’67’s brief “Fast Funky Nothingness,” the rest of this material was recorded in February and March of 1970. With the Mothers having disbanded in 1969, Zappa brought together Mothers member Ian Underwood (keyboard, saxophone, rhythm guitar), violinist/vocalist Don “Sugarcane” Harris, and bassist Max Bennett, all of whom had played on Hot Rats, plus English drummer Aynsley Dunbar, who had recently relocated to Los Angeles with his invitation to join Zappa.

Some of these songs will be familiar to Zappa devotees. "Chunga's Revenge," included in Funky Nothingnessin three separate versions, was refigured as the title song from Hot Rat's follow-up, a cover of 1950s bluesman Lightnin' Slim's "I'm a Rollin' Stone" transformed into "Stink-Foot" from 1974's Apostrophe and Chunga's Revenge's closing song "Sharleena" is featured inan earlier 12-minute version. The Funky Nothingness sessions — built around the steady groove of drummer Aynsley Dunbar and bassist Max Bennett — catch Zappa in harvesting-ideas mode. The group explores vintage swamp blues (Lightnin’ Slim’s “I’m a Rollin’ Stone”) and early R&B (covers of Hank Ballard’s “Work With Me Annie” and “Annie Had a Baby,” sung by Don “Sugarcane” Harris), as well as whimsical originals built on older styles (the doo-wop send-up “Sharleena”). It’s joyriding, lane-changing music — the atmosphere is loose and easygoing (for a Zappa project). There are few conceptual overlays to manage. Side one (presumably) ends with a lengthy workout of “I’m A Rollin’ Stone,” an old Lightnin’ Slim side. Over a slow, swampy groove, Zappa tears off some searing leads and jokes around: “Come in and make yourself comfortable… right over here by the Silvertone 45RPM imitation stereo record player,” his grin practically audible. Another awe-inspiring jam is “ Tommy/Vincent Duo II,” showcasing the magic between Zappa and Dunbar in their earliest days together. An unedited version, which stretches to nearly 22 minutes long, appears on Disc 3. Travers writes, “By 1970, Frank had worked with some great drummers between The Mothers and the L.A. studio scene…[but] Aynsley took things to another level. It’s easy to understand how Frank would be excited to see where their chemistry would take them musically. Here is audio proof.” Posthumous releases of Zappa's music have been a mixed bag, ranging from band rehearsals with less than high fidelity sound, expanded reissues which include works in progress prior to overdubbing and editing, expanded versions of previously issued albums and CDs or CD sets of completely unreleased (or mostly so) music. This collection falls into the latter category and is a release which long-time Zappa fans have dreamed of being discovered.

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Let’s Go! – weekly SiriusXM show with Tom Brady, Larry Fitzgerald and Jim Gray – makes Season 3 debut on September 4 Another awe-inspiring jam is Tommy/Vincent Duo II, showcasing the magic between Zappa and Dunbar in their earliest days together. An unedited version, which stretches to nearly 22 minutes long, appears on Disc 3. Travers writes, “By 1970, Frank had worked with some great drummers between The Mothers and the L.A. studio scene… (but) Aynsley took things to another level. It’s easy to understand how Frank would be excited to see where their chemistry would take them musically. Here is audio proof.” a b "Frank Zappa's Incredibly Rare Recordings, Believed to Have Been Planned for a Potential Sequel to His Iconic Hot Rats Album, Have Been Unearthed from the Vault and Compiled as New Collection, Funky Nothingness". June 30, 2023 . Retrieved August 25, 2023. And then, in the middle of all this output, Zappa assembled another band and carved out time for something that might seem curiously extra: jamming.

The original material is similarly arresting. A hypnotic "Chunga's Revenge" recorded in the basement of Zappa's Laurel Canyon home and subsequent "Basement Jam" debut here; an edit of the recording was released in surround sound on the 2004 DVD-A release QuAUDIOPHILIAc. Indeed, much of the material here would make sense on an expanded edition of 1970's Chunga's Revenge. "Sharleena" closed that album. Former Turtles Flo and Eddie took the lead vocals, lending it their trademark pop sound. (That rendition was intended to be released on 45 RPM but the single never materialized.) The liner notes here reveal that Zappa described this Record Plant take as "the funky version." It's an apt tag as it leans more heavily into the blues than the released recording and features Sugarcane Harris' bluesy vocals. It's also nearly three times as long, featuring an extended improvisation with incendiary solos from Harris and Zappa before the proper song is restated. (This "Sharleena" was issued on 1996's The Lost Episodes in a remix; Funky Nothingness presents Zappa's original 1970 mix.) Grammy Nominated Latin Pop Singer-Songwriter Pablo Alborán To Bring His ‘Tour La Cu4rta Hoja’ To The U.S. In 2024 Funky Nothingness was produced and assembled by Ahmet Zappa (Frank’s son) and Zappa historian Joe Travers. “It’s very rare to find that amount of music from one set of sessions that has gone unheard for such a long period of time,” Travers notedin a press release. Was the guitarist and composer’s aesthetic fully formed out of the gate, from those ribald first works with the Mothers of Invention? Or was there some sort of galvanizing moment a bit later on, as Zappa’s skills fell into alignment with his ambition, when his intentions clarified and his options multiplied?THREE-DISC EXPANDED DELUXE EDITION CONTAINS OUTTAKES, ALTERNATE EDITS, AND UNEDITED MASTERS FROM LITTLE KNOWN RECORDING SESSIONS Disc Two includes a nearly 15-minute long unedited version of the full take of “Sharleena” which includes an alternate vocal part, additional overdubs and a longer guitar solo than the version first heard on The Lost Episodes collection!