Cruising Utopia: The Then and There of Queer Futurity (Sexual Cultures)

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The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity." Performing Hybridity. Eds. Jennifer Natalya Fink and May Joseph. Minneapolis: University of Minnesota Press, 1999. a b c d e Muñoz, José Esteban Muñoz (2000). "Feeling Brown: Ethnicity and Affect in Ricardo Bracho's "The Sweetest Hangover (And Other STDS)". Theatre Journal. 52 (1): 67–79. doi: 10.1353/tj.2000.0020. S2CID 143419651. urn:lcp:cruisingutopiath0000muno:epub:ef5b9de4-c93e-41b5-919e-99e0b92a867f Foldoutcount 0 Identifier cruisingutopiath0000muno Identifier-ark ark:/13960/t3rw35j37 Invoice 1652 Isbn 9780814757277

Cruising Utopia: The Then and There of Queer Futurity". Publishers Weekly. Vol.256, no.39. 2009-09-28. p.55.

Muñoz: Tisch School of the Arts at NYU". Archived from the original on 2015-08-17 . Retrieved 2011-05-10.

Munoz also seems to miss the most salient point of Halberstam’s writing on queer time and failure, most frustratingly that the queer world is not just a set of NY artists from a pretty narrow temporal sample.Shaked, Nizan (2008-01-01). "Phantom Sightings: Art after the Chicano Movement". American Quarterly. 60 (4): 1057–1072. doi: 10.1353/aq.0.0043. JSTOR 40068561. S2CID 144620841. The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist.